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The Stasi obtains a copy, but are unable to link it to any registered typewriter. Livid at being rejected by Sieland, Hempf orders Grubitz to arrest her.
Grubitz, suspicious that Wiesler has mentioned nothing unusual in his daily reports of the monitoring, orders him to do the follow-up interrogation of Sieland.
Wiesler forces Sieland to tell him where the typewriter is hidden. Sieland realizes that Dreyman will know she betrayed him and flees the apartment.
When Grubitz removes the floor, the typewriter is gone—Wiesler having removed it before the search team arrived.
Unaware of this, Sieland runs to the street and commits suicide by stepping into the path of a truck. Grubitz informs Wiesler that the investigation is over, his career is over, and his remaining 20 years with the agency will be in Department M, a dead-end position for disgraced agents.
On November 9, , Wiesler is steam-opening letters when a co-worker tells him about the fall of the Berlin Wall. Wiesler leaves the office, inspiring his co-workers to do the same.
Dreyman asks the former minister why he had never been monitored. Hempf tells him that he had been under full surveillance in Dreyman searches his apartment and finds the listening devices.
At the Stasi Records Agency , Dreyman reviews the files kept while he was under surveillance. He reads that Sieland was released just before the second search and could not have removed the typewriter.
He is at first confused by the false and contradictory information regarding his activities, but when he reaches the final report, he sees a fingerprint in red ink.
Dreyman searches for Wiesler, who now has a menial job. Unsure of what to say to him, he decides not to approach him.
Deeply moved, Wiesler buys the book. When the sales clerk asks if he wants it gift-wrapped, he responds, "No. This is for me.
He has said that, on visits there as a child before the Berlin Wall fell, he could sense the fear they had as subjects of the state.
He said the idea for the film came to him when he was trying to come up with a scenario for a film class. Gorky recounted a discussion with Lenin:.
Donnersmarck told a New York Times reporter: I sat down and in a couple of hours had written the treatment.
Knabe objected to "making the Stasi man into a hero" and tried to persuade Donnersmarck to change the film. There was a Schindler.
There was no Wiesler. The film was received with widespread acclaim. Corliss praised the film as a "poignant, unsettling thriller.
Film critic Roger Ebert gave the film four stars, describing it as "a powerful but quiet film, constructed of hidden thoughts and secret desires.
Scott, reviewing the film in The New York Times , wrote that Lives is well-plotted, and added, "The suspense comes not only from the structure and pacing of the scenes, but also, more deeply, from the sense that even in an oppressive society, individuals are burdened with free will.
You never know, from one moment to the next, what course any of the characters will choose. American commentator John Podhoretz called the film "one of the greatest movies ever made, and certainly the best film of this decade.
The film is built "on layers of emotional texture", wrote Stephanie Zacharek in Salon online magazine. Perhaps I was just won over sentimentally, because of the seductive mass of details which look like they were lifted from my own past between the total ban of my work in and denaturalisation in She claims that it was not possible for a Stasi operative to have hidden information from superiors because Stasi employees themselves were watched and almost always operated in teams.
In a BBC poll, critics voted the film the 32nd greatest since According to German author Christoph Hein , the movie is loosely based on his life story.
In a article, he recalls that Donnersmarck interviewed him in , and that his name was mentioned in the opening credits at the premiere screening.
The Europe List , the largest survey on European culture established that the top three films in European culture are. The Lives of Others has been referred to in political protests following the mass surveillance disclosures.
Everybody should get that now. It should be reissued now. What that shows is what life can be with a government that knew as much as the Stasi did then.
But if they know—and one thing they can do with that information right now—is to turn people into informants, so that the government has not only the information that people say on electronic devices, they have what they say in the bedroom, because their wife or their whoever—spouse—is an informant.
As happened in the movie. That is what did happen in East Germany. French President Nicolas Sarkozy gave an interview in Le Figaro expressing his outrage over being the victim of surveillance himself.
It is not the case of some dictator acting against his political opponents. From Wikipedia, the free encyclopedia. This article is about the German film.
For the unrelated Indian novel, see The Lives of Others novel. This article may be expanded with text translated from the corresponding article in German.
August Click [show] for important translation instructions. View a machine-translated version of the German article.
Machine translation like Deepl or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.
A model attribution edit summary using German: Content in this edit is translated from the existing German Wikipedia article at [[: Exact name of German article]]; see its history for attribution.
For more guidance, see Wikipedia: List of accolades received by The Lives of Others. Florian Henckel von Donnersmarck Best Screenplay: James Berardinelli , ReelViews 1st: Shawn Levy , The Oregonian 2nd: Marjorie Baumgarten, The Austin Chronicle 2nd: Michael Sragow , The Baltimore Sun 2nd: Rene Rodriguez, The Miami Herald 4th: David Ansen , Newsweek 4th: Roger Ebert , Chicago Sun Times 5th: Richard Roeper , Chicago Sun Times 5th: Owen Gleiberman , Entertainment Weekly 7th: Christy Lemire , Associated Press  7th: Tasha Robinson, The A.
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Worldwide Audience Compare it toEdward Wilson falls albrechts casino am staden love with Laura, played wonderfully by Tammy Blanchard- a deaf women- but their relationship comes to an abrupt end as Edward finds that Margaret has become pregnant with his child and Edward is to do what is expected of him. She returns home and reconciles with Dreyman. Life Casino xo club minsk Beautiful — Roberto Benigni Character — Mike van Diem In a article, he recalls that Donnersmarck interviewed him inand that his name was mentioned in the opening credits at the premiere screening. Watch deutsch online casino on "UnMade". Retrieved 18 August Audible Download Audio Books. In a Better World — Susanne Düsseldorfer hc Tsotsi — Gavin Hood Sam Murach Tammy Blanchard